Carved sandstone spires and figure sculpture on a temple at Khajuraho.
A carved stone chariot wheel on the plinth of the Sun Temple at Konark.
The Taj Mahal in white marble, reflected in its watercourse at dawn.
Temple ruins among granite boulders in the landscape at Hampi.
Rock-cut monuments on the shore at Mahabalipuram.
Carved sandstone spires and figure sculpture on a temple at Khajuraho.
A carved stone chariot wheel on the plinth of the Sun Temple at Konark.
The Taj Mahal in white marble, reflected in its watercourse at dawn.
Temple ruins among granite boulders in the landscape at Hampi.
Rock-cut monuments on the shore at Mahabalipuram.

Humayun's Tomb

Delhi

Inscribed
1993
Period
1560s
Property
Cultural
Humayun's Tomb in red sandstone and white marble, seen across its garden.
Anupamg · CC BY-SA 4.0 · Commons

Humayun's Tomb stands in a walled garden in the Nizamuddin area of Delhi, built for the second Mughal emperor. It established, on Indian soil, the pattern that Mughal imperial tombs would follow for the next century: a monumental domed mausoleum raised on a plinth at the centre of a formal charbagh.

History

Humayun died in 1556. The tomb was commissioned by his widow, Bega Begum, and completed around 1570, with Mirak Mirza Ghiyas named as architect. The complex declined with the empire, and the gardens were substantially altered under British occupation. A major conservation programme from the late 1990s restored the water channels and garden layout.

Architecture

The mausoleum is built in red sandstone with white marble inlay and stands on a high arcaded plinth containing further graves. It carries a double dome — an inner shell shaping the chamber below and an outer shell giving the external profile — an approach later used at the Taj Mahal. The charbagh divides the garden into four quarters with intersecting water channels and paths, a plan carrying Persian precedent into India at scale.

Significance

Nearly everything that makes the Taj Mahal what it is appears here first: the garden tomb, the double dome, the plinth, the strict symmetry. It is also the point at which Persian form and Indian material and craft settle into a single working style.

UNESCO recognition

Inscribed in 1993 under criteria (ii) and (iv) for its influence on later architecture and as an outstanding example of the Mughal garden tomb.

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