Carved sandstone spires and figure sculpture on a temple at Khajuraho.
A carved stone chariot wheel on the plinth of the Sun Temple at Konark.
The Taj Mahal in white marble, reflected in its watercourse at dawn.
Temple ruins among granite boulders in the landscape at Hampi.
Rock-cut monuments on the shore at Mahabalipuram.
Carved sandstone spires and figure sculpture on a temple at Khajuraho.
A carved stone chariot wheel on the plinth of the Sun Temple at Konark.
The Taj Mahal in white marble, reflected in its watercourse at dawn.
Temple ruins among granite boulders in the landscape at Hampi.
Rock-cut monuments on the shore at Mahabalipuram.

Delhi Sultanate

Period
1206–1526
Era
06 / 8
Delhi Sultanate — surviving material
Cresques Abraham · Public domain · Commons

Persian and Indian building traditions meet: the true arch and the dome arrive and are rebuilt in local stone.

About

Three centuries in which a new architectural vocabulary entered northern India and was rebuilt by local masons in local stone. The true arch and the dome — structural forms Indian building had largely managed without — arrived with the Sultanate and were absorbed rather than imposed.

Context

Five dynasties held Delhi in succession between 1206 and 1526: Mamluk, Khalji, Tughlaq, Sayyid and Lodi. Construction of the Qutb Minar began under Qutb al-Din Aibak around 1199 and continued under his successors. The Alai Darwaza, added by Alauddin Khalji in 1311, is among the earliest surviving true-arch and true-dome structures in India. The Sultanate ended in 1526 at the first battle of Panipat.

What survives

The Qutb complex in Delhi, including the minar, the Quwwat-ul-Islam mosque and the Alai Darwaza; the fortified cities of Tughlaqabad and Firozabad; and a large body of tomb architecture. Much early work was assembled from the masonry of demolished buildings, which is visible in the reused carved columns of the Quwwat-ul-Islam and is part of the honest record of the period.

Significance

This is where the Indo-Islamic architectural synthesis begins. What followed under the Mughals is unimaginable without these three centuries of local craftsmen learning a new structural language and applying their own ornament to it.

Material from this period

3 images